Instructed by composer and producer Martin D. Fowler (This American Life, Limetown, etc.), this course is an all-encompassing boot camp in one of the most widely used and most multi-functional DAWs out there: Logic Pro X. It’s used by pro-level producers, songwriters, engineers, and composers of all types to achieve the sound they’re searching for. Logic is also extremely affordable as far as DAWs go, making it perfect for the home-recording musician.
Cardioid polar patterns are typically best for recording single voices as they offer the most noise rejection. Bi-polar, or bi-directional, pickup patterns are great for recording interviews as they capture sound from the front and back of the microphone. Omnidirectional pickup patterns capture sound from all directions, which is great for recording a large group of people, but it often captures a lot of ambient noise.
Electric guitars are a bit more complicated. There are more parts involved when recording this instrument, such as the amplifier, the speaker cabinet, and any effects pedals — all in addition to the guitar, itself. Because of this, we’re going to focus mainly on recording electric guitars for this article.
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Having a public payment schedule listed like this is helpful for songwriters’ financial planning (and for peace of mind). But sometimes collecting several quarters, or even years, worth of public performance royalties upfront can have a far larger impact on a music creator’s career.
Whatever Bach intended, the chaconne is a very effective piece of sad music. It helps that there’s the long section in the middle where it switches to D major and gets unexpectedly happy, before returning to D minor, the saddest of all keys. Sadness is that much sadder if you’re expecting happiness.
Here’s a winning formula: the guitar starts out with the song’s main riff, completing a full cadence, before the bass ensues with a countermelody high up on the neck, building up a suspenseful intro until the drums kick in and carry the song into its full tempo. “Hotel California” operates the same way.
With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.
There are some slightly more expensive pedals built by Devi Ever FX like the Soda Meiser, the self-explanatory Shoegazer (used by Ringo Deathstarr) or the Rocket fuzz. They’ve got nearly endless sustain, can sound chaotic and super duper fuzzy. But Devi pedals are also pretty unpredictable, which can be fun but sometimes you have to fight with some disturbing frequencies that show up to the party. That’s what you get with analog pedals though — it’s the true experience!
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For example, in Spotify for Artists, you can see detailed stats for your top 200 songs. You can filter by date range to see whether certain promotional efforts or live shows have correlated with your Spotify activity. You can also track the total streams and listeners of all of your tracks, combined (but note that this “all-time” graph can only go as far back as 2015).
If you are still unsure if your mix is ready for mastering, send it to the mastering engineer and ask their opinion. Any professional engineer will be able to help you catch potential issues in your sound and give you advice on how to address them within your mix to ensure best possible final results for your mastered song.
Our free courses in the realm of home recording include: Demo Recording 101, Any Sound Will Do, and Live Clicks and Backing Tracks. Bear in mind that none of these come with personalized mentorship built in, but they make great supplemental materials to help you improve specific useful skills and expand your knowhow for free.
For example, a kick-driven house track needs to be shaped much differently than a lo-fi song with drum parts you want tucked somewhere in the background. Experiment with different EQs and compressors and resist the urge to lean too heavily on preset options. Purposefully muddling certain instruments in your kit while keeping others sharp and focused can also create an interesting contrast to build on.
I get asked this question a lot and, to most people’s frustration, I have to say it comes down to experience. A good DJ specializes in two things: song selection and timing. That skill is only learned by DJing an insane amount of hours in front of hundreds of different audiences, observing and understanding what works and, more importantly, what doesn’t.